Considerações Saber Sobre cobogó

mk27_cobogo_plans Casa Cobogó - Selected for Leaf award 2012 - short list [ENG] [POR] [ENG] - The light of the abundant tropical Sun falls on the white volume of the top floor of the house, penetrating the holes of the hollowed elements and covering the floor of the interior space. Thus, the design of spatialized lace is formed from the shadows and solar rays. The effect is multiplied throughout the ambient, making a construction from the light itself. Throughout the days, throughout the months, the hollowed-out elements take on different forms with the incidence of the sun; at night, this effect once again is transformed; in a continuous process of metamorphosis, its form changes from the light. The soft volumetric geometry of the hollowed-out elements comprising the walls is a complex construction, made with infinite curved lines. The modular element, a work of art, was designed by the Austrian-American Erwin Hauer who, since 1950, has conceived and made sculptures for architectural space. His minimalist elements dialogue with the architecture and remind us of some traces of Brazilian modern architecture. The curved lines, designed with perfection nod to the architecture of Brasilia by Niemeyer; furthermore, the concrete modules descend from the Cobogós – which lends its name to the house – created in Recife and diffused by Lucio Costa in delicate references to colonial architecture. The Cobogó House is a modern house in which the art of Erwin Hauer can be used naturally, as a part of the entire architecture. In the play of mounting pure volumes, made of white spackling paste, concrete and wood; lies, together with the terrace garden, the volume constructed from the hollowed elements by Erwin Hauer. Inside this space, there is a multiple-use living room and a small spa. On the ground floor the living room connects entirely with the garden, where there is a small artificial lake. Fish and plants help maintain the biological balance of the pool without the use of chemical products that assail the environment. This environmental thought permeated the entire project which incorporated principles of sustainability established by rigid standards, similar to certifications. In the house, there is a great concern to use recycling apparatus and reduce water consumption; rationalize and organize the construction to minimize the impacts; use devices for energy efficiency and optimization; install solar heating plaques; besides using only certified, recycled or ecologically correct material. The use of this knowledge together with architecture that respects the local climate resulted in a house having excellent inner comfort. In both the back living room – which on one side opens to a large front garden and on the other to a patio of trees – and the bedrooms, the inner ambients are shaded by wooden mashrabiyas that make possible good ventilation with internal shading.

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Sitting alongside a material palette of sisal fibre, concrete and plywood, the humble cobogó brick – a staple of Brazilian architecture – takes centre stage in the Campana’s design

“The apartment has a nice view and it’s located near by shops and restaurants. It has air conditioning in the bedroom and tv room/kitchen.”

"Since cobogó assumed an important role in the project it inspired me to search for other basic construction materials to explore," said Chu, who has also designed a micro apartment that made use of a compact wooden storage system, and a secret São Paulo tea shop, hidden behind hinged wooden flaps.

“The room is confortable, the bathroom works perfect and the space is nice with good furniture. Did not use the kitchen but looked great. Bed was also confortable. TV worked correctly. Good place to stay clique para obter mais informações if you travel alone or with your girlfriend/boyfriend.”

The soft volumetric geometry of the hollowed-out elements comprising the walls is a complex construction, made with infinite curved lines. The modular element, a work of art, was designed by the Austrian-American Erwin Hauer who, since 1950, has conceived and made sculptures for architectural space. His minimalist elements dialogue with the architecture and remind us of some traces of Brazilian modern architecture.

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brick – a staple of Brazilian architecture – takes centre stage in the Campana’s design, forming not only the fixtures and furniture but the flooring, ceiling and an entire wall that stretches from the exterior courtyard right through into the interior.

Set back from the street, the 112 sq m store is entered via a courtyard through an aluminium gate that flips open to create a roof during the day.

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“The apartment has a nice view and it’s located near by shops and restaurants. It has air conditioning in the bedroom and tv room/kitchen.”

a diverse digital database that acts as a valuable guide in gaining insight and information about a product directly from the manufacturer, and serves as a rich reference point in developing a project or scheme.

like many of campana brothers’ pieces, this is an attempt to subvert its regular usage that transposes it to a completely new environment. the result is a horizontal top for a delicate floating dining table.

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